Tuesday, June 30, 2020

Notes on "The Garden of Forking Paths"

This post supports the study of the Module 2, Short Fiction, of the Core Course “Modes of Fiction”, assigned for the Semester 3 students of the MA English programme at CMS College. 

The Garden of Forking Paths

Read through for some insights on:

Romance Languages

Latin America

Argentina

The author

The story

Characters

Summary

Analysis of the story

Romance Languages: Languages derived from Latin or a subset of the Romance language family  –including Spanish and Portuguese, and sometimes French

Latin America | Morrison & Foerster
Latin American regions

Latin America: Countries like Spain and Portugal, which used the Romance languages, were colonial powers. So, these languages got established in their American colonies. American regions where Romance languages are primarily spoken came to be known as Latin America.

Argentina: A republic in South America. The second largest country in Latin America. The largest among the Spanish speaking nations (Hispanophone). Buenos Aires is the capital and largest city of Argentina. 

Spanish colonization of Argentina began in 1512.


The Author:

Jorge Luis Borges. Pronounced HOR-hay LWEES BHOR-hays. 

Childhood and Parentage:

Jorge Luis Borges was born in Buenos Aires, Argentina on August 24, 1899. Shortly after his birth, his family relocated to Palermo, a suburb on the northern outskirts of Buenos Aires. In those days, the place was known for its loose and criminal background, and the author grew up amidst stories of knife-fights and violence – images which were to find reflections in his writings. His father was a lawyer and a psychology teacher whose personal beliefs were founded in anarchy. His mother was descended from a long line of soldiers and freedom fighters; her own mother had furnished their home with family artifacts such as swords, uniforms, and portraits of great freedom fighters. Borges was terribly fond of both of his parents.

Borges had his lessons of philosophy from his father, who once helped him understand Zeno’s paradox using a chessboard.

Eg: Paradox of Place:

"… if everything that exists has a place, place too will have a place, and so on ad infinitum."

The author has commented that the household was so bilingual that he was not even aware that English and Spanish were separate languages until later in his childhood.

Borges’s younger sister Norah, his junior by two years, was his only real childhood friend. Together they spent their time roaming the labyrinthine library and the garden, two images which would find endless incarnations in his writing. 

 It wasn’t until much later, returning to Buenos Aires after spending seven years in Europe, that Borges admitted to himself that “for years I believed I had grown up in a suburb . . . of risky streets and visible sunsets. The truth is I grew up in a garden, … and in a library of unlimited English books.”

The story for our study has reflections of many of these aspects:

📌 Military background    📌 Patriotism    📌 Anarchism and violence    📌 Paradox

📌 Garden    📌 Books and library    📌 Labyrinth

The Story:

The Garden of Forking Paths is a 1941 short story, and is the title story of a collection.  It became the first of Borges' stories to appear in English, translated by sci-fi writer Anthony Boucher in 1948 for the American publication Ellery Queen's Mystery Magazine

Characters:

Yu Tsun: Chinese. Now a spy for Germany, in World War I.

Stephen Albert: An English man. A Sinologist. Interested in the study of the works and philosophy of Ts’ui Pen.

Ts’ui Pen: Great grandfather of Yu Tsun.

Captain Richard Madden: An Irishman, fighting for the English. (parallel to Yu Tsun, a Chinese, working for Germany. Like Yu Tsun, he also has to prove his worth before those who above him.)

The Chief: The superior German officer to whom Yu Tsun has to report.

Summary:

Context: World War I

An anonymous narrator introduces a document that will, he assures us, shed a little light on why a British offensive against the Germans had to be delayed by thirteen days. The document is a deposition (oral testimony given by a witness to be used in a trial) given by Dr. Yu Tsun. The first two pages are missing, so its narration begins abruptly.

Having learned that his cover as a German spy in London has been blown, Yu Tsun has only minutes to plan his next move. He must escape from Captain Richard Madden, the Irishman who has murdered his co-conspirator in espionage, and complete his mission by delivering the location of a secret cache of British weapons to his boss in Germany, whom he refers to as The Chief. He checks the contents of his pockets – revealing a revolver with only one bullet – locates the address of the one person capable of passing on his missive, and runs to catch a train to the suburbs.

Madden nearly catches up with Yu Tsun at the station, but he misses the train, filling Tsun with a sense of confidence that he will complete his mission successfully. At the Ashgrove stop, some creepy-looking children direct Tsun to the home of Dr. Stephen Albert. Tsun follows their instructions, finding himself following a continually forking road. He finally arrives at a pavilion, or summer house, from which he can hear the familiar sounds of Chinese music.

A man named Stephen Albert greets Yu Tsun, speaking Chinese, and invites him to see the "garden of forking paths." Tsun identifies himself as a descendent of the creator of that very garden. Dr. Albert tells Tsun the story of his ancestor, Ts'ui Pen, a former governor who abandoned his political position to write a novel and build a labyrinth, or maze. In the opinion of his descendents, Ts'ui Pen had failed on both accounts – the novel made no chronological sense, and the labyrinth was never found.

Stephen Albert, who has studied Ts'ui Pen's legacy for some time, explains to Yu Tsun that "the garden of forking paths" and the novel are one and the same and that the novel's seemingly incompatible storylines present the idea of the bifurcation, or splitting, of time, rather than space. In other words, whenever the characters come to a point at which more than one outcome is possible, both outcomes occur. This causes the narrative to branch out into multiple narrative universes, which then provide the scenarios for new bifurcations.

Seeing Captain Madden approach, Yu Tsun expresses his gratitude to Dr. Albert for resolving the mystery of Ts'ui Pen's garden, then shoots him in the back. Though Madden succeeds in arresting Yu Tsun, Tsun has succeeded in relaying his message – the secret weapons stash is in the city of Albert. Tsun reads about the bombing of Albert by the Germans in the British papers, the same papers in which The Chief was able to read the report of the murder of Dr. Albert by Yu Tsun.


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Monday, June 29, 2020

Why did the Romans Cross the Channel? (On Roman Invasion of Britian)

This post caters to the study of the Complementary Course “Evolution of Literary Movements”, assigned for students of BA English programme at CMS College.

BC 3000 to AD 455: Pre English

            1. The Iberians

            2. The Celts

3. The Romans

      I.          Rome

Rome has such a deep rooted impact in history and culture. A few proverbs are enough to prove it:

Rome was not built in a day

All roads lead to Rome

When in Rome, be a Roman

Rome is the capital city of Italy.

Rome | History, Facts, & Points of Interest | Britannica

Rome: a place of history. The practice ground of various systems of governance: monarchy, republic, imperialism (colonialism)

The recorded history of Rome goes back to BC 8th c.



1.    1.      Roman Kingdom

Romulus and Remus

The twins Romulus and Remus, descendants of the Trojan prince Aeneas are supposed to be the founders of Rome.

Read more: https://en.wikipedia.org/wiki/Romulus_and_Remus

After being under the system of kingship, Rome transforms as a republic.

2.        Roman Republic

BC 6th C: establishment of the Roman republic. Authority for the magistrates, senate and military.

Triumvirate system: the play “Julius Caesar” speaks of this.

BC 51 – 45: Slow emergence of power under Julius Caesar

BC 44: Assassination of Julius Caesar. Octavian or Octavius Caesar enters into power.

BC 31: annexation of Egypt (war with Cleopatra and Mark Antony: portrayed in Shakespeare’s “Antony and Cleopatra”)

BC 27: Roman senate grants overarching power to Octavian and gives him the new title “Augustus”. He is the Augustus Caesar mentioned in the Bible, who orders a census at the time of Jesus’ birth.

1.     3.   Roman Empire (1500 years)

Pax Romana

Later emperors: Caligula, Claudius, Nero, Vespasian, Domitian, Trajan, Commodus, Diocletian

AD 324: Constantine: establishment of a new capital city: Byzantium (renamed Constantinople). Byzantium is featured in two poems of W B Yeats. Till then, a few places of Rome had the status of being the capital at one time or the other.

Adopted Christianity (earlier, Christianity was a persecuted religion)

Emperor Theodosius I: (Died in AD 395): division of the Empire into East and West

AD 496: Western Roman Empire erodes in power

Eastern Roman Empire remains in power till 1453, when it fell to the Ottoman Turks

    II.          Roman Invasion of Britain

In our study of the Celts, we mentioned three tribes: Gaelic (Goidelic), Brythons, Belgae.

The Belgaes maintained cordial relations with their kinsmen in Northern Gaul in the European mainland.

Julius Caesar of Rome conquered these Celtic territories in Gaul, and then he had an eye on the British Isles.

BC 55: First Roman expedition to Britain under Julius Caesar. But Caesar was defeated.

BC 54: Caesar returned and subdued the Celts. The defence put in by the legendary King Cassivelanus (of the tribe of Cattivelauni) was swept away by the Romans who emerged as conquerors.

Julius Caesar had to return to Rome, where he was assassinated.

King Cunobelin of Colchester (the Cymbeline of Shakespeare’s play) had cultivated the friendship of the first and second Roman emperors Augustus and Tiberius. The third Roman emperor Caligula (AD 37 – 41) issued orders for a conquest of Britain, but that did not take place. Three years later, in AD 43, Rome conquered Britain under the orders of the Roman emperor Claudius (AD 41 – 54). By AD 50, Rome brought Kent, Colchester and the southern and eastern areas of Britain under control.

The Celtic tribes in the northern and western areas put in stiff resistance. The Romans had initial difficulty to conquer the people in these mountainous terrains and swamp filled forests. By AD 60, the Romans managed to bring under control the low lying island of Anglesey. The Druid priests of the Celts were mercilessly killed.

Boudicca, Queen of the Iceni - Archaeology Magazine

The march forward to further north was cut short when they had to return to Norfolk in the south, where there was a rebellion by the Celtic tribe of Iceni. The people had long put up with the cruelty of the Roman soldiers, but they had to resist when the cruelty was directed against their queen Boudicca, and hence the rebellion. This too was put down by the Romans. The Iceni were massacred, and Queen Boudicca and her daughters commited suicide. 

After this, there were no major challenge for the Romans. The savage north continued to be a problem but the Roman method of conquest was by making military roads on which forts were built. The wild West were subjugated after 35 years of occupying Britain.

Bringing the Picts and Scots of the North under control was another problem. Therefore the northern frontier was marked off by a huge wall erected on the orders of Emperor Hadrian in AD 123. The ruins of this Hadrian’s Wall can be seen even today.

The Roman governor Agricola ordered a line of forts between Glasgow and Edinburgh. This came to be known as Antoine’s Wall. Both these walls helped the Romans to keep out inroads from the north.

With all rebellion hushed down, the Romans establish themselves as the third and last conquerors in the Pre English period, and start their administrative establishment in Britain.

Tuesday, June 23, 2020

Notes on "Rip Van Winkle"

This post supports the study of the Module 2, Short Fiction, of the Core Course “Modes of Fiction”, assigned for the Semester 3 students of the MA English programme at CMS College. 

    
About Netherlands
Also called Holland. It is located in Western Europe. 
The term “Dutch” indicates its language and people.
A major colonial power, right from the 15th century.

Dutch Settlements in the Americas

The Dutch government had chartered the Dutch East India Company which sent explorers

under the command of Henry Hudson who arrived in 1609 and mapped what is now known as the Hudson River.

Dutch settlement in the Americas started in 1613. One area of settlement was named New Amsterdam (after the Dutch capital city of Amsterdam); later, it was given over to the British as part of a treaty, who renamed it “New York”.

The American Revolutionary War (1775–1783), also known as the American War of Independence, resulted in the overthrow of British rule in the colonies and the establishment of the United States of America.

George III was the King of Great Britain.

George Washington becomes the first President of the USA.

Our story revolves round these pointers: the Dutch settlement in North America, control of these areas by the British, and the American Revolutionary War resulting in the formation of the USA.

As is common among settler groups, there emerges tales that are not properly researched and documented, but pass on to be the history of the homeland, the transit and the settlement.

The Author

Washington Irving:  (April 3, 1783 – November 28, 1859) was an American author, essayist, biographer, historian, and diplomat of the early 19th century. The Sketch Book of Geoffrey Crayon, Gent., commonly referred to as The Sketch Book, is a collection of 34 essays and short stories written by him. It was published serially throughout 1819 and 1820. The collection includes two of Irving's best-known stories, attributed to the fictional Dutch historian Diedrich Knickerbocker, "The Legend of Sleepy Hollow" and "Rip Van Winkle".

 Irving was among the first American writers to earn acclaim in Europe. He encouraged American authors such as Nathaniel Hawthorne, Herman Melville, Henry Wadsworth Longfellow, and Edgar Allan Poe. Irving was also admired by some European writers, including Walter Scott, Lord Byron, Thomas Campbell, Francis Jeffrey, and Charles Dickens. As America's first genuine internationally best-selling author, Irving advocated for writing as a legitimate profession, and argued for stronger laws to protect American writers from copyright infringement.

The Background: Introducing Diedrich Knickerbocker

In late 1809, Irving completed work on his first major book, A History of New-York from the Beginning of the World to the End of the Dutch Dynasty, by Diedrich Knickerbocker (1809), a satire on self-important local history and contemporary politics. Prior to its publication, Irving started a hoax akin to today's viral marketing campaigns; he placed a series of missing person adverts in New York newspapers seeking information on Diedrich Knickerbocker, a crusty Dutch historian who had allegedly gone missing from his hotel in New York City. As part of the ruse, Irving placed a notice—allegedly from the hotel's proprietor—informing readers that if Mr. Knickerbocker failed to return to the hotel to pay his bill, he would publish a manuscript Knickerbocker had left behind. 

Unsuspecting readers followed the story of Knickerbocker and his manuscript with interest, and some New York city officials were concerned enough about the missing historian that they considered offering a reward for his safe return. Riding the wave of public interest he had created with his hoax, Irving—adopting the pseudonym of his Dutch historian—published A History of New York on December 6, 1809, to immediate critical and popular success. "It took with the public", Irving remarked, "and gave me celebrity, as an original work was something remarkable and uncommon in America".

Characters

Rip Van Winkle                 A henpecked husband who loathes 'profitable labor'. Meek, easygoing, never-do-well resident of the village who wanders off to the mountains and meets strange men playing ninepins.

Dame Van Winkle            Rip Van Winkle's  nagging wife.

Rip Van Winkle, Jr.          Rip Van Winkle's never-do-well son.

Judith Gardenier              Rip Van Winkle's married daughter. She takes her father in after he returns from his sleep.

Derrick Van Bummel       The local schoolmaster and later a member of Congress.

Nicholas Vedder              Landlord of the local inn where menfolk congregate.

Van Schaick                       The local parson.

Jonathan Doolittle           Owner of the Union Hotel, the establishment that replaced the village inn.

Wolf                                   Rip's faithful dog, who does not recognize him when he wakes up

Man carrying keg up the mountain         The ghost of Englishman Henry Hudson, explorer of the Hudson River.

Ninepin bowlers              The ghosts of Henry Hudson’s crewmen from his ship, the Half-Moon. They share purple magic liquor with Rip Van Winkle and play a game of ninepins.

Brom Dutcher                   Neighbor of Rip who went off to war while Rip was sleeping.

Old woman                       Woman who identifies Rip when he returns to the village after his sleep.

Peter Vanderdonk           The oldest resident of the village. He confirms Rip’s identity and cites evidence indicating Rip’s strange tale is true.

Mr. Gardenier                  Judith Gardenier’s husband, a farmer. Crabbby Villager

Rip Van Winkle III            Rip Van Winkle’s infant grandchild. His mother is Judith Gardenier.

Summary

Dutch: an ethnic group native to the Netherlands

Dutch presence and colonisation of the US, including areas of New York, from 17th c.

The story of Rip Van Winkle is set in the years before and after the American Revolutionary War (1775–1783). In a pleasant village, at the foot of New York's Catskill Mountains, lives the kindly Rip Van Winkle, a colonial British-American villager of Dutch descent. Rip is an amiable man who enjoys solitary activities in the wilderness, but is also loved by all in town—especially the children to whom he tells stories and gives toys. However, a tendency to avoid all gainful labor, for which his nagging wife (Dame Van Winkle) chastises him, allows his home and farm to fall into disarray due to his lazy neglect.

One winter day, Rip is escaping his wife's nagging, wandering up the mountains with his dog, Wolf. Hearing his name being shouted, Rip discovers that the speaker is a man dressed in antiquated Dutch clothing, carrying a keg up the mountain, who requires Rip's help. Without exchanging words, the two hike up to an amphitheatre-like hollow in which Rip discovers the source of previously-heard thunderous noises: there is a group of other ornately-dressed, silent, bearded men who are playing nine-pins. Although there is no conversation and Rip does not ask the men who they are or how they know his name, he discreetly begins to drink some of their liquor, and soon falls asleep.

He awakes in unusual circumstances: It seems to be morning, his gun is rotted and rusty, his beard has grown a foot long, and Wolf is nowhere to be found. Rip returns to his village where he finds that he recognizes no one. Asking around, he discovers that his wife has died and that his close friends have died in a war or gone somewhere else. He immediately gets into trouble when he proclaims himself a loyal subject of King George III, not knowing that the American Revolution has taken place; George III's portrait on the town inn has been replaced by that of George Washington. Rip is also disturbed to find another man is being called Rip Van Winkle (though this is in fact his son, who has now grown up).

The men he met in the mountains, Rip learns, are rumored to be the ghosts of Hendrick (Henry) Hudson's crew. Rip is told that he has apparently been away from the village for twenty years. An old local recognizes Rip and Rip's now-adult daughter takes him in. Rip resumes his habitual idleness, and his tale is solemnly taken to heart by the Dutch settlers, with other hen-pecked husbands, after hearing his story, wishing they could share in Rip's good luck, and have the luxury of sleeping through the hardships of war.

"Rip Van Winkle" as a Fairy Tale

In many ways the story is a classic European "faerie tale" of a man who is actually rewarded for helping the faeries move their barrel. They advance him to a time in life where he is free of his nagging wife and is now old enough for it be respectable for him to take it easy and play with children, working when he wants to instead of when he has to, supported by his loving, grown children.

Literary Forerunners/ Parallels

German folktale "Peter Klaus" by Johann Karl Christoph Nachtigal, a shorter story set in a German village.

The ancient Jewish story about Honi M'agel who falls asleep after asking a man why he is planting a carob tree which traditionally takes 70 years to mature, making it virtually impossible to ever benefit from the tree's fruit. After this exchange, he falls asleep on the ground and is miraculously covered by a rock and remains out of sight for 70 years. When he awakens, he finds a fully mature tree and that he has a grandson. When nobody believes that he is Honi, he prays to God and God takes him from this world.

"The Seven Sleepers of Ephesus", (in the Christian tradition) recounting a group of early Christians who hid in a cave about 250 AD, to escape the persecution of Christians during the reign of the Roman emperor Decius, fell into a miraculous sleep and woke some 200 years later during the reign of Theodosius II, to discover that the city and the whole Empire had become Christian. This Christian story is recounted by Islam and appears in a famous Sura of the Koran, Sura Al-Kahf. The story recalls a group of young monotheists escaping from persecution within a cave and emerging hundreds of years later. Irving, who wrote a biography of the Prophet Muhammad, may have been familiar with the story.

A 3rd-century AD Chinese tale of Ranka, as retold by Lionel Giles in A Gallery of Chinese Immortals, and an 8th-century Japanese tale, "Urashima Tarō".

In Orkney there is a similar folktale linked to the burial mound of Salt Knowe adjacent to the Ring of Brodgar. A drunken fiddler on his way home hears music from the mound. He finds a way in and finds the trowes (Trolls) having a party. He stays and plays for two hours, then makes his way home to Stenness, where he discovers fifty years have passed. The Orkney Rangers believe this may be one source for Washington Irving's tale, because his father was an Orcadian from the island of Shapinsay and would almost certainly have known the tale.

The story of Niamh and Oisin ( Ireland) has a similar theme. Oisin falls in love with the beautiful Niamh and leaves with her on her snow white horse to Tir Na nOg – the land of the ever-young. Missing his family and friends, he asks to pay them a visit. Niamh lends him her horse, warning him never to dismount, and he travels back to Ireland. But three hundred years have passed; his family and fellow warriors are all dead. Some men are trying to move a boulder. Oisin reaches down to help them. The girth of the horse's saddle snaps and he falls to the ground. Before the watching eyes of the men he becomes a very, very old man.

The story of Epimenides in On the Lives, Opinions, and Sayings of Famous Philosophers, (book by Diogenes Laertius, an Epicurean philosopher of the third century): in chapter ten in his section on the Seven Sages of Greece, precursors to the first philosophers. The sage Epimenides is said to have slept in a cave for fifty-seven years. But unfortunately, "he became old in as many days as he had slept years".

In Bhagavatam, there is a story of Muchukunda, King of Ikshavaku dynasty, who slept for a long time. According to Hinduism, Muchukunda was an ancestor of Sri Rama. Muchukunda had helped Indra fight against Asuras (demons). Once, in a battle, the Devas (deities) were threatened by the Asuras(demons). The Gods sought help from king Muchukunda. King Muchukunda agreed to help them and fought against the demons for a long time. Since the deities did not have an able commander, king Muchukunda protected them against the demonic onslaught, until the deities got an able commander like Kartikeya, the son of Lord Shiva. Then Indra said to the king Muchukunda, "O king, we, the deities are indebted to you for the help and protection which you have given us, by sacrificing your own family life. Here in the heaven, one year equals three hundred and sixty years of the earth. Since, it has been a long time, there is no sign of your kingdom and family because it has been destroyed with the passage of time. We are happy and pleased with you, so ask for any boon except Moksha (liberation)". While fighting on the side of the deities, king Muchukunda did not get an opportunity to sleep even for a moment. Now, since his responsibilities were over, overcome by tiredness, he was feeling very sleepy. So, he said, "O King of the deities, I want to sleep. Anyone who dares to disturb my sleep should get burnt to ashes immediately". Indra said, "So be it, go to the earth and enjoy your sleep, one who awakens you would be reduced to ashes". After this, king Muchukunda descended to earth and selected a cave, where he could sleep without being disturbed. A lot of time had passed during his sleeping years. Finally, Sri Krishna lured Kalayavana into the cave where Muchukunda was sleeping. Kalayavana inadvertently woke up Muchukunda and was burnt to ashes when Muchukunda's gaze fell upon him.

Pseudohistory

Tales and stories carried down from the homeland, and also built up in course of time. It will be glorified versions which may have strayed from reality. Such fictionalised history has become a feature of literature.

How does this story become pseudohistory?

It is based on established history. But matters in the story are not authentic. (Here, note that it is not presented as fiction either: to give a case, the movie “Titanic” has a historic base, but the plot in the film is not so. However, the authors do not make any claim that it is history. Here in Rip Van Winkle, there is a claim, though by a fictitious author Knickerbocker.

The involvement of a pseudo historian: here, we need to read external elements too. The real author has created an impression that the story is given by a historian.

Lack of objectivity: at a few points in the story, we are told that it depends not on documented history, but on tales.

Mention of the supernatural

Pseudohistory in literature is not falsehood. The author doesn’t want it to be recorded as history. His intentions are clear: satire: on the tendency to weave out history from stories (as was common among the settlers), glorifying one’s own culture and history beyond proportions. Humour and pathos are equally woven into the story.

Ponder on these!

Humour and satire in the work

Pseudohistory

Characterisation in "Rip Van Winkle"

Fairy tale

Sunday, June 21, 2020

Rip Van Winkle (Story)

This post supports the study of the Module 2, Short Fiction, of the Core Course “Modes of Fiction”, assigned for the Semester 3 students of the MA English programme at CMS College. 

Rip Van Winkle

A Posthumous Writing of Diedrich Knickerbocker 
By Washington Irving

 

 (THE FOLLOWING tale was found among the papers of the late Diedrich Knickerbocker, an old gentleman of New York, who was very curious in the Dutch history of the province, and the manners of the descendants from its primitive settlers. His historical researches, however, did not lie so much among books as among men; for the former are lamentably scanty on his favorite topics; whereas he found the old burghers, and still more their wives, rich in that legendary lore so invaluable to true history. Whenever, therefore, he happened upon a genuine Dutch family, snugly shut up in its low-roofed farmhouse, under a spreading sycamore, he looked upon it as a little clasped volume of black-letter, and studied it with the zeal of a bookworm.

  The result of all these researches was a history of the province during the reign of the Dutch governors, which he published some years since. There have been various opinions as to the literary character of his work, and, to tell the truth, it is not a whit better than it should be. Its chief merit is its scrupulous accuracy, which indeed was a little questioned on its first appearance, but has since been completely established; and it is how admitted into all historical collections as a book of unquestionable authority.

  The old gentleman died shortly after the publication of his work, and now that he is dead and gone it cannot do much harm to his memory to say that his time might have been much better employed in weightier labors. He, however, was apt to ride his hobby in his own way; and though it did now and then kick up the dust a little in the eyes of his neighbors and grieve the spirit of some friends, for whom he felt the truest deference and affection, yet his errors and follies are remembered “more in sorrow than in anger”; and it begins to be suspected that he never intended to injure or offend. But however his memory may be appreciated by critics, it is still held dear among many folk whose good opinion is well worth having; particularly by certain biscuit bakers, who have gone so far as to imprint his likeness on their New Year cakes, and have thus given him a chance for immortality almost equal to the being stamped on a Waterloo medal or a Queen Anne’s farthing.)

        

By Woden, God of Saxons,

From whence comes Wensday, that is Wodensday,

Truth is a thing that ever I will keep

Unto thylke day in which I creep into

My sepulchre—

 

        CARTWRIGHT.

Whoever has made a voyage up the Hudson must remember the Catskill Mountains. They are a dismembered branch of the great Appalachian family, and are seen away to the west of the river, swelling up to a noble height, and lording it over the surrounding country. Every change of season, every change of weather, indeed, every hour of the day, produces some change in the magical hues and shapes of these mountains, and they are regarded by all the good wives, far and near, as perfect barometers. When the weather is fair and settled, they are clothed in blue and purple, and print their bold outlines on the clear evening sky; but sometimes, when the rest of the landscape is cloudless, they will gather a hood of gray vapors about their summits, which, in the last rays of the setting sun, will glow and light up like a crown of glory.

  At the foot of these fairy mountains the voyager may have descried the light smoke curling up from a village whose shingle roofs gleam among the trees, just where the blue tints of the upland melt away into the fresh green of the nearer landscape. It is a little village of great antiquity, having been founded by some of the Dutch colonists, in the early times of the province, just about the beginning of the government of the good Peter Stuyvesant (may he rest in peace!), and there were some of the houses of the original settlers standing within a few years, with lattice windows, gable fronts surmounted with weathercocks, and built of small yellow bricks brought from Holland.

  In that same village, and in one of these very houses (which, to tell the precise truth, was sadly time-worn and weather-beaten), there lived many years since, while the country was yet a province of Great Britain, a simple, good-natured fellow, of the name of Rip Van Winkle. He was a descendant of the Van Winkles who figured so gallantly in the chivalrous days of Peter Stuyvesant, and accompanied him to the siege of Fort Christina. He inherited, however, but little of the martial character of his ancestors. I have observed that he was a simple, good-natured man; he was, moreover, a kind neighbor and an obedient, henpecked husband. Indeed, to the latter circumstance might be owing that meekness of spirit which gained him such universal popularity; for those men are most apt to be obsequious and conciliating abroad who are under the discipline of shrews at home. Their tempers, doubtless, are rendered pliant and malleable in the fiery furnace of domestic tribulation, and a curtain lecture is worth all the sermons in the world for teaching the virtues of patience and long-suffering. A termagant wife may, therefore, in some respects, be considered a tolerable blessing; and if so, Rip Van Winkle was thrice blessed.

  Certain it is that he was a great favorite among all the good wives of the village, who, as usual with the amiable sex, took his part in all family squabbles, and never failed, whenever they talked those matters over in their evening gossipings, to lay all the blame on Dame Van Winkle. The children of the village, too, would shout with joy whenever he approached. He assisted at their sports, made their playthings, taught them to fly kites and shoot marbles, and told them long stories of ghosts, witches, and Indians. Whenever he went dodging about the village, he was surrounded by a troop of them, hanging on his skirts, clambering on his back, and playing a thousand tricks on him with impunity; and not a dog would bark at him throughout the neighborhood.

  The great error in Rip’s composition was an insuperable aversion to all kinds of profitable labor. It could not be from the want of assiduity or perseverance; for he would sit on a wet rock, with a rod as long and heavy as a Tartar’s lance, and fish all day without a murmur, even though he should not be encouraged by a single nibble. He would carry a fowling piece on his shoulder, for hours together, trudging through woods and swamps, and up hill and down dale, to shoot a few squirrels or wild pigeons. He would never even refuse to assist a neighbor in the roughest toil, and was a foremost man at all country frolics for husking Indian corn, or building stonefences. The women of the village, too, used to employ him to run their errands, and to do such little odd jobs as their less obliging husbands would not do for them; in a word, Rip was ready to attend to anybody’s business but his own; but as to doing family duty, and keeping his farm in order, it was impossible.

  In fact, he declared it was of no use to work on his farm; it was the most pestilent little piece of ground in the whole country; everything about it went wrong, and would go wrong, in spite of him. His fences were continually falling to pieces; his cow would either go astray or get among the cabbages; weeds were sure to grow quicker in his fields than anywhere else; the rain always made a point of setting in just as he had some outdoor work to do; so that though his patrimonial estate had dwindled away under his management, acre by acre, until there was little more left than a mere patch of Indian corn and potatoes, yet it was the worst-conditioned farm in the neighborhood.

  His children, too, were as ragged and wild as if they belonged to nobody. His son Rip, an urchin begotten in his own likeness, promised to inherit the habits, with the old clothes of his father. He was generally seen trooping like a colt at his mother’s heels, equipped in a pair of his father’s cast-off galligaskins, which he had much ado to hold up with one hand, as a fine lady does her train in bad weather.

  Rip Van Winkle, however, was one of those happy mortals, of foolish, well-oiled dispositions, who take the world easy, eat white bread or brown, whichever can be got with least thought or trouble, and would rather starve on a penny than work for a pound. If left to himself, he would have whistled life away, in perfect contentment; but his wife kept continually dinning in his ears about his idleness, his carelessness, and the ruin he was bringing on his family. Morning, noon, and night, her tongue was incessantly going, and everything he said or did was sure to produce a torrent of household eloquence. Rip had but one way of replying to all lectures of the kind, and that, by frequent use, had grown into a habit. He shrugged his shoulders, shook his head, cast up his eyes, but said nothing. This, however, always provoked a fresh volley from his wife, so that he was fain to draw off his forces, and take to the outside of the house—the only side which, in truth, belongs to a henpecked husband.

  Rip’s sole domestic adherent was his dog Wolf, who was as much henpecked as his master; for Dame Van Winkle regarded them as companions in idleness, and even looked upon Wolf with an evil eye, as the cause of his master’s so often going astray. True it is, in all points of spirit befitting an honorable dog, he was as courageous an animal as ever scoured the woods—but what courage can withstand the ever-during and all-besetting terrors of a woman’s tongue? The moment Wolf entered the house his crest fell, his tail drooped to the ground, or curled between his legs; he sneaked about with a gallows air, casting many a sidelong glance at Dame Van Winkle, and at the least flourish of a broomstick or ladle would fly to the door with yelping precipitation.

  Times grew worse and worse with Rip Van Winkle as years of matrimony rolled on; a tart temper never mellows with age, and a sharp tongue is the only edged tool that grows keener by constant use. For a long while he used to console himself, when driven from home, by frequenting a kind of perpetual club of the sages, philosophers, and other idle personages of the village, which held its sessions on a bench before a small inn, designated by a rubicund portrait of his majesty George the Third. Here they used to sit in the shade, of a long lazy summer’s day, talking listlessly over village gossip, or telling endless sleepy stories about nothing. But it would have been worth any statesman’s money to have heard the profound discussions which sometimes took place, when by chance an old newspaper fell into their hands, from some passing traveler. How solemnly they would listen to the contents, as drawled out by Derrick Van Bummel, the schoolmaster, a dapper, learned little man, who was not to be daunted by the most gigantic word in the dictionary; and how sagely they would deliberate upon public events some months after they had taken place.

  The opinions of this junto were completely controlled by Nicholas Vedder, a patriarch of the village, and landlord of the inn, at the door of which he took his seat from morning till night, just moving sufficiently to avoid the sun, and keep in the shade of a large tree; so that the neighbors could tell the hour by his movements as accurately as by a sun-dial. It is true, he was rarely heard to speak, but smoked his pipe incessantly. His adherents, however (for every great man has his adherents), perfectly understood him, and knew how to gather his opinions. When anything that was read or related displeased him, he was observed to smoke his pipe vehemently, and send forth short, frequent, and angry puffs; but when pleased, he would inhale the smoke slowly and tranquilly, and emit it in light and placid clouds, and sometimes taking the pipe from his mouth, and letting the fragrant vapor curl about his nose, would gravely nod his head in token of perfect approbation.

  From even this stronghold the unlucky Rip was at length routed by his termagant wife, who would suddenly break in upon the tranquillity of the assemblage, and call the members all to nought; nor was that august personage, Nicholas Vedder himself, sacred from the daring tongue of this terrible virago, who charged him outright with encouraging her husband in habits of idleness.

  Poor Rip was at last reduced almost to despair; and his only alternative, to escape from the labor of the farm and clamor of his wife, was to take gun in hand and stroll away into the woods. Here he would sometimes seat himself at the foot of a tree, and share the contents of his wallet with Wolf, with whom he sympathized as a fellow-sufferer in persecution. “Poor Wolf,” he would say, “thy mistress leads thee a dog’s life of it; but never mind, my lad, while I live thou shalt never want a friend to stand by thee!” Wolf would wag his tail, look wistfully in his master’s face, and if dogs can feel pity, I verily believe he reciprocated the sentiment with all his heart.

  In a long ramble of the kind on a fine autumnal day, Rip had unconsciously scrambled to one of the highest parts of the Catskill Mountains. He was after his favorite sport of squirrel shooting, and the still solitudes had echoed and reëchoed with the reports of his gun. Panting and fatigued, he threw himself, late in the afternoon, on a green knoll, covered with mountain herbage, that crowned the brow of a precipice. From an opening between the trees he could overlook all the lower country for many a mile of rich woodland. He saw at a distance the lordly Hudson, far, far below him, moving on its silent but majestic course, the reflection of a purple cloud, or the sail of a lagging bark, here and there sleeping on its glassy bosom, and at last losing itself in the blue highlands.

  On the other side he looked down into a deep mountain glen, wild, lonely, and shagged, the bottom filled with fragments from the impending cliffs, and scarcely lighted by the reflected rays of the setting sun. For some time Rip lay musing on this scene; evening was gradually advancing; the mountains began to throw their long blue shadows over the valleys; he saw that it would be dark long before he could reach the village, and he heaved a heavy sigh when he thought of encountering the terrors of Dame Van Winkle.

  As he was about to descend, he heard a voice from a distance, hallooing, “Rip Van Winkle! Rip Van Winkle!” He looked around, but could see nothing but a crow winging its solitary flight across the mountain. He thought his fancy must have deceived him, and turned again to descend, when he heard the same cry ring through the still evening air: “Rip Van Winkle! Rip Van Winkle!”—at the same time Wolf bristled up his back, and giving a low growl, skulked to his master’s side, looking fearfully down into the glen. Rip now felt a vague apprehension stealing over him; he looked anxiously in the same direction, and perceived a strange figure slowly toiling up the rocks, and bending under the weight of something he carried on his back. He was surprised to see any human being in this lonely and unfrequented place, but supposing it to be some one of the neighborhood in need of assistance, he hastened down to yield it.

  On nearer approach, he was still more surprised at the singularity of the stranger’s appearance. He was a short, square-built old fellow, with thick bushy hair, and a grizzled beard. His dress was of the antique Dutch fashion—a cloth jerkin strapped around the waist—several pair of breeches, the outer one of ample volume, decorated with rows of buttons down the sides, and bunches at the knees. He bore on his shoulders a stout keg, that seemed full of liquor, and made signs for Rip to approach and assist him with the load. Though rather shy and distrustful of this new acquaintance, Rip complied with his usual alacrity, and mutually relieving one another, they clambered up a narrow gully, apparently the dry bed of a mountain torrent. As they ascended, Rip every now and then heard long rolling peals, like distant thunder, that seemed to issue out of a deep ravine, or rather cleft between lofty rocks, toward which their rugged path conducted. He paused for an instant, but supposing it to be the muttering of one of those transient thunder showers which often take place in mountain heights, he proceeded. Passing through the ravine, they came to a hollow, like a small amphitheater, surrounded by perpendicular precipices, over the brinks of which impending trees shot their branches, so that you only caught glimpses of the azure sky and the bright evening cloud. During the whole time, Rip and his companion had labored on in silence; for though the former marveled greatly what could be the object of carrying a keg of liquor up this wild mountain, yet there was something strange and incomprehensible about the unknown that inspired awe and checked familiarity.

  On entering the amphitheater, new objects of wonder presented themselves. On a level spot in the center was a company of odd-looking personages playing at ninepins. They were dressed in a quaint, outlandish fashion: some wore short doublets, others jerkins, with long knives in their belts, and most had enormous breeches, of similar style with that of the guide’s. Their visages, too, were peculiar: one had a large head, broad face, and small, piggish eyes; the face of another seemed to consist entirely of nose, and was surmounted by a white sugar-loaf hat set off with a little red cock’s tail. They all had beards, of various shapes and colors. There was one who seemed to be the commander. He was a stout old gentleman, with a weather-beaten countenance; he wore a laced doublet, broad belt and hanger, high-crowned hat and feather, red stockings, and high-heeled shoes, with roses in them. The whole group reminded Rip of the figures in an old Flemish painting, in the parlor of Dominie Van Schaick, the village parson, and which had been brought over from Holland at the time of the settlement.

  What seemed particularly odd to Rip, was that though these folks were evidently amusing themselves, yet they maintained the gravest faces, the most mysterious silence, and were, withal, the most melancholy party of pleasure he had ever witnessed. Nothing interrupted the stillness of the scene but the noise of the balls, which, whenever they were rolled, echoed along the mountains like rumbling peals of thunder.

  As Rip and his companion approached them, they suddenly desisted from their play, and stared at him with such fixed statue-like gaze, and such strange, uncouth, lack-luster countenances, that his heart turned within him, and his knees smote together. His companion now emptied the contents of the keg into large flagons, and made signs to him to wait upon the company. He obeyed with fear and trembling; they quaffed the liquor in profound silence, and then returned to their game.

  By degrees, Rip’s awe and apprehension subsided. He even ventured, when no eye was fixed upon him, to taste the beverage, which he found had much of the flavor of excellent Hollands. He was naturally a thirsty soul, and was soon tempted to repeat the draught. One taste provoked another, and he reiterated his visits to the flagon so often, that at length his senses were overpowered, his eyes swam in his head, his head gradually declined, and he fell into a deep sleep.

  On awaking, he found himself on the green knoll from whence he had first seen the old man of the glen. He rubbed his eyes—it was a bright sunny morning. The birds were hopping and twittering among the bushes, and the eagle was wheeling aloft and breasting the pure mountain breeze. “Surely,” thought Rip, “I have not slept here all night.” He recalled the occurrences before he fell asleep. The strange man with a keg of liquor—the mountain ravine—the wild retreat among the rocks—the woe-begone party at ninepins—the flagon—“Oh! that flagon! that wicked flagon!” thought Rip—“what excuse shall I make to Dame Van Winkle?”

  He looked round for his gun, but in place of the clean, well-oiled fowling piece, he found an old firelock lying by him, the barrel incrusted with rust, the lock falling off, and the stock worm-eaten. He now suspected that the grave roysters of the mountain had put a trick upon him, and having dosed him with liquor, had robbed him of his gun. Wolf, too, had disappeared, but he might have strayed away after a squirrel or partridge. He whistled after him, shouted his name, but all in vain; the echoes repeated his whistle and shout, but no dog was to be seen.

  He determined to revisit the scene of the last evening’s gambol, and if he met with any of the party, to demand his dog and gun. As he rose to walk, he found himself stiff in the joints, and wanting in his usual activity. “These mountain beds do not agree with me,” thought Rip, “and if this frolic should lay me up with a fit of the rheumatism, I shall have a blessed time with Dame Van Winkle.” With some difficulty he got down into the glen; he found the gully up which he and his companion had ascended the preceding evening; but to his astonishment a mountain stream was now foaming down it, leaping from rock to rock, and filling the glen with babbling murmurs. He, however, made shift to scramble up its sides, working his toilsome way through thickets of birch, sassafras, and witch-hazel, and sometimes tripped up or entangled by the wild grape vines that twisted their coils and tendrils from tree to tree, and spread a kind of network in his path.

  At length he reached to where the ravine had opened through the cliffs to the amphitheater; but no traces of such opening remained. The rocks presented a high, impenetrable wall, over which the torrent came tumbling in a sheet of feathery foam, and fell into a broad, deep basin, black from the shadows of the surrounding forest. Here, then, poor Rip was brought to a stand. He again called and whistled after his dog; he was only answered by the cawing of a flock of idle crows, sporting high in air about a dry tree that overhung a sunny precipice; and who, secure in their elevation, seemed to look down and scoff at the poor man’s perplexities. What was to be done? the morning was passing away, and Rip felt famished for want of his breakfast. He grieved to give up his dog and gun; he dreaded to meet his wife; but it would not do to starve among the mountains. He shook his head, shouldered the rusty firelock, and, with a heart full of trouble and anxiety, turned his steps homeward.

  As he approached the village, he met a number of people, but none whom he knew, which somewhat surprised him, for he had thought himself acquainted with every one in the country round. Their dress, too, was of a different fashion from that to which he was accustomed. They all stared at him with equal marks of surprise, and whenever they cast their eyes upon him, invariably stroked their chins. The constant recurrence of this gesture induced Rip, involuntarily, to do the same, when, to his astonishment, he found his beard had grown a foot long!

  He had now entered the skirts of the village. A troop of strange children ran at his heels, hooting after him, and pointing at his gray beard. The dogs, too, none of which he recognized for his old acquaintances, barked at him as he passed. The very village was altered: it was larger and more populous. There were rows of houses which he had never seen before, and those which had been his familiar haunts had disappeared. Strange names were over the doors—strange faces at the windows—everything was strange. His mind now began to misgive him; he doubted whether both he and the world around him were not bewitched. Surely this was his native village, which he had left but the day before. There stood the Catskill Mountains—there ran the silver Hudson at a distance—there was every hill and dale precisely as it had always been—Rip was sorely perplexed—“That flagon last night,” thought he, “has addled my poor head sadly!”

  It was with some difficulty he found the way to his own house, which he approached with silent awe, expecting every moment to hear the shrill voice of Dame Van Winkle. He found the house gone to decay—the roof fallen in, the windows shattered, and the doors off the hinges. A half-starved dog, that looked like Wolf, was skulking about it. Rip called him by name, but the cur snarled, showed his teeth, and passed on. This was an unkind cut indeed—“My very dog,” sighed poor Rip, “has forgotten me!”

  He entered the house, which, to tell the truth, Dame Van Winkle had always kept in neat order. It was empty, forlorn, and apparently abandoned. This desolateness overcame all his connubial fears—he called loudly for his wife and children—the lonely chambers rung for a moment with his voice, and then all again was silence.

  He now hurried forth, and hastened to his old resort, the little village inn—but it too was gone. A large rickety wooden building stood in its place, with great gaping windows, some of them broken, and mended with old hats and petticoats, and over the door was painted, “The Union Hotel, by Jonathan Doolittle.” Instead of the great tree which used to shelter the quiet little Dutch inn of yore, there now was reared a tall naked pole, with something on the top that looked like a red nightcap, and from it was fluttering a flag, on which was a singular assemblage of stars and stripes—all this was strange and incomprehensible. He recognized on the sign, however, the ruby face of King George, under which he had smoked so many a peaceful pipe, but even this was singularly metamorphosed. The red coat was changed for one of blue and buff, a sword was stuck in the hand instead of a scepter, the head was decorated with a cocked hat, and underneath was painted in large characters, GENERAL WASHINGTON.

  There was, as usual, a crowd of folk about the door, but none whom Rip recollected. The very character of the people seemed changed. There was a busy, bustling, disputatious tone about it, instead of the accustomed phlegm and drowsy tranquillity. He looked in vain for the sage Nicholas Vedder, with his broad face, double chin, and fair long pipe, uttering clouds of tobacco smoke instead of idle speeches; or Van Bummel, the schoolmaster, doling forth the contents of an ancient newspaper. In place of these, a lean, bilious-looking fellow, with his pockets full of handbills, was haranguing vehemently about rights of citizens—election—members of Congress—liberty—Bunker’s Hill—heroes of ’76—and other words, that were a perfect Babylonish jargon to the bewildered Van Winkle.

  The appearance of Rip, with his long grizzled beard, his rusty fowling piece, his uncouth dress, and the army of women and children that had gathered at his heels, soon attracted the attention of the tavern politicians. They crowded around him, eying him from head to foot, with great curiosity. The orator bustled up to him, and drawing him partly aside, inquired “on which side he voted?” Rip stared in vacant stupidity. Another short but busy little fellow pulled him by the arm, and raising on tiptoe, inquired in his ear, “whether he was Federal or Democrat.” Rip was equally at a loss to comprehend the question; when a knowing, self-important old gentleman, in a sharp cocked hat, made his way through the crowd, putting them to the right and left with his elbows as he passed, and planting himself before Van Winkle, with one arm akimbo, the other resting on his cane, his keen eyes and sharp hat penetrating, as it were, into his very soul, demanded, in an austere tone, “what brought him to the election with a gun on his shoulder, and a mob at his heels, and whether he meant to breed a riot in the village?” “Alas! gentlemen,” cried Rip, somewhat dismayed, “I am a poor quiet man, a native of the place, and a loyal subject of the king, God bless him!”

  Here a general shout burst from the bystanders—“A Tory! a Tory! a spy! a refugee! hustle him! away with him!” It was with great difficulty that the self-important man in the cocked hat restored order; and having assumed a tenfold austerity of brow, demanded again of the unknown culprit, what he came there for, and whom he was seeking. The poor man humbly assured him that he meant no harm; but merely came there in search of some of his neighbors, who used to keep about the tavern.

  “Well—who are they?—name them.”

  Rip bethought himself a moment, and then inquired, “Where’s Nicholas Vedder?”

  There was silence for a little while, when an old man replied in a thin, piping voice, “Nicholas Vedder? why, he is dead and gone these eighteen years! There was a wooden tombstone in the churchyard that used to tell all about him, but that’s rotted and gone, too.”

  “Where’s Brom Dutcher?”

  “Oh, he went off to the army in the beginning of the war; some say he was killed at the battle of Stony Point—others say he was drowned in a squall, at the foot of Antony’s Nose. I don’t know—he never came back again.”

  “Where’s Van Bummel, the schoolmaster?”

  “He went off to the wars, too, was a great militia general, and is now in Congress.”

  Rip’s heart died away, at hearing of these sad changes in his home and friends, and finding himself thus alone in the world. Every answer puzzled him, too, by treating of such enormous lapses of time, and of matters which he could not understand: war—Congress—Stony Point!—he had no courage to ask after any more friends, but cried out in despair, “Does nobody here know Rip Van Winkle?”

  “Oh, Rip Van Winkle!” exclaimed two or three, “Oh, to be sure! that’s Rip Van Winkle yonder, leaning against the tree.”

  Rip looked, and beheld a precise counterpart of himself, as he went up the mountain: apparently as lazy, and certainly as ragged. The poor fellow was now completely confounded. He doubted his own identity, and whether he was himself or another man. In the midst of his bewilderment, the man in the cocked hat demanded who he was, and what was his name?

  “God knows,” exclaimed he, at his wit’s end; “I’m not myself—I’m somebody else—that’s me yonder—no—that’s somebody else, got into my shoes—I was myself last night, but I fell asleep on the mountain, and they’ve changed my gun, and everything’s changed, and I’m changed, and I can’t tell what’s my name, or who I am!”

  The bystanders began now to look at each other, nod, wink significantly, and tap their fingers against their foreheads. There was a whisper, also, about securing the gun, and keeping the old fellow from doing mischief; at the very suggestion of which, the self-important man in the cocked hat retired with some precipitation. At this critical moment a fresh, likely woman pressed through the throng to get a peep at the gray-bearded man. She had a chubby child in her arms, which, frightened at his looks, began to cry. “Hush, Rip,” cried she, “hush, you little fool, the old man won’t hurt you.” The name of the child, the air of the mother, the tone of her voice, all awakened a train of recollections in his mind. “What is your name, my good woman?” asked he.

  “Judith Gardenier.”

  “And your father’s name?”

  “Ah, poor man, his name was Rip Van Winkle; it’s twenty years since he went away from home with his gun, and never has been heard of since—his dog came home without him; but whether he shot himself, or was carried away by the Indians, nobody can tell. I was then but a little girl.”

  Rip had but one question more to ask; but he put it with a faltering voice:—

  “Where’s your mother?”

  “Oh, she too had died but a short time since; she broke a blood vessel in a fit of passion at a New England peddler.”

  There was a drop of comfort, at least, in this intelligence. The honest man could contain himself no longer.—He caught his daughter and her child in his arms.—“I am your father!” cried he—“Young Rip Van Winkle once—old Rip Van Winkle now!—Does nobody know poor Rip Van Winkle!”

  All stood amazed, until an old woman, tottering out from among the crowd, put her hand to her brow, and peering under it in his face for a moment, exclaimed, “Sure enough! it is Rip Van Winkle—it is himself. Welcome home again, old neighbor.—Why, where have you been these twenty long years?”

  Rip’s story was soon told, for the whole twenty years had been to him but as one night. The neighbors stared when they heard it; some where seen to wink at each other, and put their tongues in their cheeks; and the self-important man in the cocked hat, who, when the alarm was over, had returned to the field, screwed down the corners of his mouth, and shook his head—upon which there was a general shaking of the head throughout the assemblage.

  It was determined, however, to take the opinion of old Peter Vanderdonk, who was seen slowly advancing up the road. He was a descendant of the historian of that name, who wrote one of the earliest accounts of the province. Peter was the most ancient inhabitant of the village, and well versed in all the wonderful events and traditions of the neighborhood. He recollected Rip at once, and corroborated his story in the most satisfactory manner. He assured the company that it was a fact, handed down from his ancestor the historian, that the Catskill Mountains had always been haunted by strange beings. That it was affirmed that the great Hendrick Hudson, the first discoverer of the river and country, kept a kind of vigil there every twenty years, with his crew of the Half-Moon, being permitted in this way to revisit the scenes of his enterprise, and keep a guardian eye upon the river, and the great city called by his name. That his father had once seen them in their old Dutch dresses playing at ninepins in a hollow of the mountain; and that he himself had heard, one summer afternoon, the sound of their balls, like long peals of thunder.

  To make a long story short, the company broke up, and returned to the more important concerns of the election. Rip’s daughter took him home to live with her; she had a snug, well-furnished house, and a stout cheery farmer for a husband, whom Rip recollected for one of the urchins that used to climb upon his back. As to Rip’s son and heir, who was the ditto of himself, seen leaning against the tree, he was employed to work on the farm; but evinced an hereditary disposition to attend to anything else but his business.

  Rip now resumed his old walks and habits; he soon found many of his former cronies, though all rather the worse for the wear and tear of time; and preferred making friends among the rising generation, with whom he soon grew into great favor.

  Having nothing to do at home, and being arrived at that happy age when a man can do nothing with impunity, he took his place once more on the bench, at the inn door, and was reverenced as one of the patriarchs of the village, and a chronicle of the old times “before the war.” It was some time before he could get into the regular track of gossip, or could be made to comprehend the strange events that had taken place during his torpor. How that there had been a revolutionary war—that the country had thrown off the yoke of old England—and that, instead of being a subject of his Majesty, George III., he was now a free citizen of the United States. Rip, in fact, was no politician; the changes of states and empires made but little impression on him; but there was one species of despotism under which he had long groaned, and that was—petticoat government; happily, that was at an end; he had got his neck out of the yoke of matrimony, and could go in and out whenever he pleased, without dreading the tyranny of Dame Van Winkle. Whenever her name was mentioned, however, he shook his head, shrugged his shoulders, and cast up his eyes; which might pass either for an expression of resignation to his fate, or joy at his deliverance.

  He used to tell his story to every stranger that arrived at Dr. Doolittle’s hotel. He was observed, at first, to vary on some points every time he told it, which was, doubtless, owing to his having so recently awaked. It at last settled down precisely to the tale I have related, and not a man, woman, or child in the neighborhood but knew it by heart. Some always pretended to doubt the reality of it, and insisted that Rip had been out of his head, and this was one point on which he always remained flighty. The old Dutch inhabitants, however, almost universally gave it full credit. Even to this day they never hear a thunder-storm of a summer afternoon, about the Catskills, but they say Hendrick Hudson and his crew are at their game of ninepins; and it is a common wish of all henpecked husbands in the neighborhood, when life hangs heavy on their hands, that they might have a quieting draught out of Rip Van Winkle’s flagon.

  NOTE.—The foregoing tale, one would suspect, had been suggested to Mr. Knickerbocker by a little German superstition about the Emperor Frederick and the Kypphauser Mountain; the subjoined note, however, which he had appended to the tale, shows that it is an absolute fact, narrated with his usual fidelity.

  “The story of Rip Van Winkle may seem incredible to many, but nevertheless I give it my full belief, for I know the vicinity of our old Dutch settlements to have been very subject to marvelous events and appearances. Indeed, I have heard many stranger stories than this, in the villages along the Hudson; all of which were too well authenticated to admit of a doubt. I have even talked with Rip Van Winkle myself, who, when last I saw him, was a very venerable old man, and so perfectly rational and consistent on every other point, that I think no conscientious person could refuse to take this into the bargain; nay, I have seen a certificate on the subject taken before a country justice and signed with a cross, in the justice’s own handwriting. The story, therefore, is beyond the possibility of a doubt. 

“D. K.”

  POSTSCRIPT 1 .—The following are traveling notes from a memorandum book of Mr. Knickerbocker:—

  The Kaatsberg, or Catskill Mountains, have always been a region full of fable. The Indians considered them the abode of spirits, who influenced the weather, spreading sunshine or clouds over the landscape, and sending good or bad hunting seasons. They were ruled by an old squaw spirit, said to be their mother. She dwelt on the highest peak of the Catskills, and had charge of the doors of day and night to open and shut them at the proper hour. She hung up the new moon in the skies, and cut up the old ones into stars. In times of drought, if properly propitiated, she would spin light summer clouds out of cobwebs and morning dew, and send them off from the crest of the mountain, flake after flake, like flakes of carded cotton, to float in the air; until, dissolved by the heat of the sun, they would fall in gentle showers, causing the grass to spring, the fruits to ripen, and the corn to grow an inch an hour. If displeased, however, she would brew up clouds black as ink, sitting in the midst of them like a bottle-bellied spider in the midst of its web; and when these clouds broke, woe betide the valleys!

  In old times, say the Indian traditions, there was a kind of Manitou or Spirit, who kept about the wildest recesses of the Catskill Mountains, and took a mischievous pleasure in wreaking all kinds of evils and vexations upon the red men. Sometimes he would assume the form of a bear, a panther, or a deer, lead the bewildered hunter a weary chase through tangled forests and among ragged rocks; and then spring off with a loud ho! ho! leaving him aghast on the brink of a beetling precipice or raging torrent.

  The favorite abode of this Manitou is still shown. It is a great rock or cliff on the loneliest part of the mountains, and, from the flowering vines which clamber about it, and the wild flowers which abound in its neighborhood, is known by the name of the Garden Rock. Near the foot of it is a small lake, the haunt of the solitary bittern, with water snakes basking in the sun on the leaves of the pond lilies which lie on the surface. This place was held in great awe by the Indians, insomuch that the boldest hunter would not pursue his game within its precincts. Once upon a time, however, a hunter who had lost his way, penetrated to the Garden Rock, where he beheld a number of gourds placed in the crotches of trees. One of these he seized, and made off with it, but in the hurry of his retreat he let it fall among the rocks, when a great stream gushed forth, which washed him away and swept him down precipices, where he was dashed to pieces, and the stream made its way to the Hudson, and continues to flow to the present day; being the identical stream known by the name of Kaaterskill.